How Do Wireless Microphones Work?


The Sennheiser EW 500 G4-MKE2 Wireless System

As of late, I’ve been working regular live sound gigs requiring wireless microphones. It’s relatively easy to set up wireless systems and have them work properly, however, I thought I’d do some research into how wireless microphone systems work in detail.

So how do wireless microphones work? Wireless mics function the exact same way as wired mics with the exception of their outputs. Instead of a typical XLR cable, wireless mics utilize transmitters (at the mic end) and receivers (at the input end) to send signals wirelessly. Transmitters/receivers transmit audio via radio frequencies.

This article aims to provide a brief overview of how microphones work in general, followed by a more detailed inspection of how wireless microphone systems function.


How Do Wireless Microphones Work?

Wireless microphones work nearly the same as wired microphones. There’s really only one big difference between the two: the typical “wired” mic has a male XLR output connection and relies on a cable to carry its signal to a mic input, while the wireless microphone relies on a radio transmitter to broadcast its output signal to a receiver before being sent to a mic input.

Wireless microphones work in tandem with wireless microphone systems. A wireless microphone system is made up of the following 3 pieces:

  1. Microphone.
  2. Transmitter.
  3. Receiver.

Wireless System Piece 1: The Microphone

The microphone part of the system is just like any typical microphone. Wireless microphones come in a variety of transducer/capsule principles (moving-coil dynamic, condenser, and even ribbon dynamic).

Just like any microphone, wireless mics work as transducers, changing acoustic mechanical wave energy (sound) into electrical energy (audio signal):

  • Sound waves vibrate the microphone diaphragm.
  • The vibration of the diaphragm is converted to an electrical signal through either electromagnetic induction (dynamic) or the variation in the capsule capacitance (condenser).
  • This signal may or may not be amplified within the microphone before the output.

The above is an oversimplification. The point is that the microphone portion of a wireless system is the same as a typical microphone.

For a full explanation of how microphones work, check out my article How Do Microphones Work? (A Helpful Illustrated Guide).

The Microphone Body

Wireless microphones are typically in the style of handheld, lavalier, or headset (there isn’t much point of having a stationary studio-grade microphone be wireless, though you never know what you’ll need in a given circumstance).

In general, the microphone body of a handheld wireless microphone will be larger than that of a handheld “wired” microphone. This is due to the fact that handheld wireless microphones have built-in transmitters and these transmitters require batteries to function wirelessly. Both the transmitter and the batteries take up physical space!

As for wireless lavalier and headset microphones, they aren’t truly “wireless.” The tiny lavalier microphone body that clips on to clothing near a performer’s mouth is too small to have a powered transmitter attached to it. Similarly, headsets may become too heavy or bulky if the transmitter is built-in.

Wireless lav mics have a thin cable that leads to a transmitter. Typically these external transmitters are in the form of small belt packs. So wireless lavs aren’t truly wireless. However, the belt pack transmitter allows the microphone to be free of a physical connection to its respective mic input on an audio console.

To learn more about lavalier mics, check out the following My New Microphone articles:

How And Where To Attach A Lavalier/Lapel Microphone.
Best Lavalier Microphones For Interviews, News, And Presentations.
Best Lavalier Microphones For Actors.

Much like lavs, wireless headsets also typically have cables to connect them to a belt pack transmitter.

To further prove the similarities between the microphone portions or wired vs. wireless, there are devices called plug-in transmitters. These are standalone transmitters that regular microphones can plug directly into. With plug-in transmitters, we can turn practically any microphone into a wireless mic.


Wireless System Pieces 2 And 3: The Transmitter And Reciever

When discussing wireless systems, it’s best to talk about the transmitter and the receiver as one unit (though they are separate).

The audio signal produced by the wireless microphone is transmitted by the transmitter through a specific radio frequency. The receiver receives this specific radio frequency and, therefore, the audio signal.

The wireless microphone and transmitter are free to roam around cable-free. The wireless microphone receiver is typically positioned close to an audio console. The output of the receiver is generally connected to the mic input of the audio console via an XLR cable.

The Transmitter

Transmitters work by essentially transmitting the audio signal from the microphone through radio waves. The transmitter takes the microphone output audio signal, converts it to a radio signal and broadcasts it through an antenna.

The strength of the radio signal from a wireless microphone transmitter is regulated by the government to avoid unnecessary interference outside of the practical distance of a wireless microphone system. The distance of a transmitter’s effectiveness is typically between 100 to 1,000 feet, depending on conditions.

Wireless microphone system transmitters come in 3 general types:

  1. Handheld
  2. Plug-in
  3. Belt pack

Handheld transmitters look like the handles of “regular” microphones and typically attach to specific microphone capsules. In some cases, we may mix and match handheld transmitters and microphone capsules.

Handheld wireless system example: Shure PGXD24/SM58-X8 (link to check the price on Amazon).

Shure PGXD24/SM58-X8

Plug-in transmitters are standalone transmitter boxes we plug regular microphones into. These transmitters basically turn our “regular” microphones into wireless microphones. Some plug-in transmitters even provide phantom power and are compatible with active microphones!

Plug-in wireless system example: Sennheiser XSW-D XLR Base Set (link to check the price on Amazon).

Sennheiser XSW-D XLR Base Set

Belt pack transmitters are sleek and can be hidden quite easily in clothing, making them a fantastic product for film and television. These typically require at least some cabling (a very small cable) to connect the microphone (typically lavalier or headset) to the transmitter.

Belt/bodypack wireless example: Sennheiser EW 122P G4 (link to check the price on Amazon).

Sennheiser EW 122P G4

Transmitters nearly all run on batteries rather than wall plug power (why would we get rid of the audio cable to replace it with a power cable?)

Before talking about the receivers, let’s discuss a few basics of RF transmission.

Basics Of Wireless Microphone Radio Frequency Transmission

Practically all wireless microphone systems use FM (frequency modulation) and need roughly 200 kHz bandwidth (to modulate within). In order to have this bandwidth, the radio frequencies bands utilized for sending wireless microphone signals are typically either:

  • VHF (Very High Frequency) = 30-300 MHz
  • UHF (Ultra High Frequency) = 300 MHz – 3 GHz

Wireless microphones operating with VHF are typically set to one signal frequency. This makes them easy to set up, but difficult to use if there is nearby RF interference at the set frequency.

Newer wireless microphones often operate at UHF. However, these frequencies are also regulated in their range and so the 300 MHz – 3 GHz is not completely available. This regulated range is known as the “television band.”

  • In the U.S, the regulated television band is 470 MHz – 614 MHz.
  • In Europe, the regulated television band is 470 MHz – 790 MHz.

These regulations, like the RF strength/distance regulations, are put in place to keep interference with other RF communications to a minimum.

Wireless mics operating in these television bands often have the option to change their transmitted frequency. This makes it easy to avoid nearby RF interference and to use multiple wireless mics at a time.

In order for the wireless microphone signal to be properly sent, the transmitter and receiver must be set to the same radio frequency. The transmitter can be thought of like its own little radio station sending out the audio from the microphone. The receiver must be set to accept the specific radio waves in order to “hear” the microphone.

Interference may happen if there are other transmitters sending out the same radio frequency. This is called RF interference and can be avoided with quality wireless systems that allow us to change the transmitted frequency.

The Receiver

Wireless microphone receivers effectively receive the radio frequency of the microphone transmitter and convert it back to the audio signal. The receiver contains output the desired audio signal and should be connected to a mic level input of an audio console.

Once again, in order for the wireless system to work correctly, the receiver must be set to receive the same radio frequency the transmitter is transmitting. In VHF systems, these values are typically set so that one transmitter works with its coinciding receiver. In UHF systems, these frequencies are usually variable and it’s up to us to ensure the transmitted frequency matches the receiver’s frequency.

Wireless systems come in 3 main types and have to do with how the receiver receives the transmitted radio signal. They are:

  1. Non-diversity
  2. Diversity
  3. True diversity

Non-diversity system receivers have one antenna to receive the signal from the transmitter. These are rarely found in any quality receivers on the market today.

Diversity system receivers have two antennas spaced a short distance apart. Both are connected to a single receiver. The wireless connection only happens between one transmitter antenna (at the mic end) and one receiver antenna (at the receiver end). If the signal strength drops below an acceptable level on one antenna connection, the receiver will switch to the other antenna. This switch is done blindly, and so oftentimes it improves a bad signal connection, but sometimes it makes a bad connection worse.

True Diversity system receivers utilize two separate antennas with each connected to a separate receiver module. The receiver circuitry reads both antenna signals and selects the better of the two. At least one of the antennae should be receiving a clean signal, creating a clean signal transfer with reduced chances of dropouts.

Receivers are almost always stationary devices and so they’re typically powered by wall plug AC. However, there are battery powered belt pack receivers available as well.

Let’s Recap How Wireless Mics Work Versus ‘Wired’ Mics

Wired microphone signals follow this basic path:

  • The wired microphone outputs a balanced audio signal to an XLR cable.
  • The XLR cable carries the balanced audio signal to the mic input.

To learn more about mic cables, check out my articles Why Do Microphones Use XLR Cables? and Best Microphone Cables.

Wireless microphone signals follow this basic path:

  • The wireless microphone outputs an audio signal to its connected transmitter.
  • The transmitter sends this audio signal wirelessly through radio waves.
  • The receiver is tuned to receive these radio waves and audio signals.
  • The receiver outputs the balanced audio signal via an XLR cable.
  • The XLR cable carries the balanced audio signal to the mic input.

From the basic descriptions above, we see that wireless mic systems simply replace the mic cable.

Pro tip: Do not forget batteries when using a wireless microphone system!


The Benefits Of Going Wireless

There are numerous benefits of using wireless microphone systems over “wired” setups.

The advantages of wireless microphones include:

  • Less/no cable (fewer trip hazards, and no potential tension/pulling between the microphone and console).
  • Increased mobility of the microphone (both for a performer and for passing the mic around to various people).
  • Cleaner signal since the audio doesn’t travel through any length of cable.

The Cons Of Going Wireless

As with anything, there are also disadvantages of using wireless microphone systems over “wired” mics.

The disadvantages of wireless microphones include:

  • The transmitter’s need for batteries (and the subsequent static noise many receivers output when the transmitter dies or is turned off).
  • The possibility for radio interference to intercept the signal (we don’t want to pick up audio from anything but the specified microphone).

Related Questions

What’s the difference between audio frequencies and radio frequencies?Audio/sound frequencies range from infrasound (<20 Hz) through the human audible range (20 Hz – 20 kHz) to ultrasound (>20 kHz). Radio frequencies range from 3 Hz – 3 THz. Sound is mechanical wave energy and can only travel through a medium. Radio waves are electromagnetic and do not need a medium.

What are the best budget wireless microphone systems on the market?

Best budget handheld wireless: Sennheiser SKM 100-835 G4 (link to check the price on Amazon).

Best budget lavalier wireless: Sennheiser ew 112 P G4 (link to check the price on Amazon).

Related articles: How To Connect A Wireless Microphone To A Computer (+ Bluetooth Mics).

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